
Ted Gray’s Alta 21S Ford V8 at rest in the Penrith Speedway paddock during 1940.
Take a look at the original shot below, two of the blokes on poles have avoided the guillotine, they’ve got their heads back! How good is that!? Hmm, let’s think about that.

I’ve been playing with Copilot as a research tool for about 18 months now. This AI device is only occasionally useful for me given the world of obscurities in which I tend to reside. In essence, if the answers to the questions asked aren’t in the digital world it can’t help you.
Encouraged by a couple of historian buddies who have been having a play ‘enhancing photos’, I thought I’d dick around a bit too.
And yes, the rego number on the left has been changed from whatever it is ending in 323 to 319. I didn’t notice that till later, and once you’ve finished it’s hard to go back in, with the poverty version, the free version of Copilot.
My ethos in all of this is to make a shot a bit clearer but retain ALL of its original content. Obviously, giving a couple of blokes their heads back is altering the original content, which is ok as long as I declare it to you, I think? People have been playing with photographs since photography was invented, of course. Photoshop has been with us since at least 1988, when I bought into a design business. That was the province of black-clad Graphic Designers playing around with very expensive early series Macs, but AI means every Tom, Dick and Irving can have a play. Fake Nooz is available to all of us, not just Donny!

A much more vexed area is the colourising of images, because the thieving arseholes who do it almost never credit the photographer or the fact that they’ve altered the artwork.
The shot above of Bill Pitt’s rolled Jaguar D-Type was taken during the 1956 Argus Trophy at Albert Park.
The place that often provides the inspiration for my articles, Bob Williamson’s ‘Old Motor Racing Photographs – Australia’ Facebook page, with strong leadership from my friend, Lynton Hemer, has banned colourised shots from that locale. The right move!
I am a hypocrite, though, I do often find them addictive. So I may slip in the odd one, but I’ll always tell you when I do, credit the original snapper and the AI tool that did the magic.

Here’s Bob King’s rough as guts original iPhone shot, and the tidied up Copilot one below. The correct rego number of the Jag was NCN-040, by the way, but you try instructing Copilot, and that the car is upside down…He was ok from memory. More about the car here:https://primotipo.com/2016/03/18/lowood-courier-mail-tt-1957-jaguar-d-type-xkd526-and-bill-pitt/


The purest use of the technology is with shots like this. Roughly ‘scanned’, chucked up on Facebook and having all the ravages of time.

My preferred version is the warts and all one above. I’ve just cropped it with my iPhone. The one below is Copilot-lite; tidying up and sharpening a bit, but not too much. Not fucking-over the original work. You know, Milton the Monster’s tincture of tenderness but not too much…
I reckon it’s Gnoo Blas circa-1954, anybody got the meeting date? Bill Murray’s Alfa Romeo P3 Alvis leading Jack Brabham’s Cooper, Holt Binnie’s MG T-Type Special and Jack Robinson’s Jaguar Special.


Here’s another in similar vein. Frank Kleinig aboard the Kirby Deering Special, the Miller straight-eight s/c powered original variant of the Kleinig Hudson Special after the same chassis was re-engined with a Hudson motor.

The first evolution was pretty good, colour, not that I asked for it! I’ve no idea what the original hue was.
Then you ask for the rego to be corrected to 98-241 and things go a bit kooky… The lesson is that Copi’s first shot is its best, so the briefing needs to very good, comprehensive.


The engine tidy up looks ok, but! Slightly too good, I think.
Centrifugally supercharged 91cid Miller DOHC, two valve, straight eight. Not so good in an Australian road racing environment, but rather good on the dirt and boards stateside. More about the car here:https://primotipo.com/2019/12/06/frank-kleinig-kleinig-hudson-special/


Sometimes things are best left well alone!
There is nothing wrong with this shot, it’s the Bugatti T57T at Pingelly, perhaps, with Duncan Ord at the wheel, perhaps…more here:https://primotipo.com/2023/05/04/bugatti-type-57t-57264/

Hmmm, let’s just go back to the drawing board.
This was my first play around. Copilot has a mind of its own to an extent; you have to have your foot on its throat. All kinds of atrocities can be performed.

Back to where we started with one of my favourite cars, Alta 21S, with Tiger Ted Gray at the wheel, Penrith, 1940. Last time I put this up, I don’t think I got to the bottom of the Pinocchio thing on the side of the scuttle.
I’ve got rid of all the IP Credits (sic) and just sharpened things by a bees-dick, you’d get away with another 10% or so actually, without making the shot look unreal? More about the Alta here:https://primotipo.com/2023/07/15/alta-1100-special/


Jack H McGrath’s Bugatti T37 from Ken McKinney’s Austin 7 during the January 1, 1934, Phillip Island 100 won by JW Wliiamson’s Riley.
Again, this shows the positives of AI enhancement/repair/sharpening: that rear guard refashioning of the Austin may not be to Tony Johns’s satisfaction, but if it’s not, I’m sure I couldn’t instruct Copilot on the necessary remedy…however, for the lay-observer, it’s pretty tickety-boo.

Finally, from my favourite viewpoint, high atop Mount Morality.
I’m sorta a low ego kinda guy, I’m generally not a cock-spanker, albeit I do occasionally have moments when I give it a bit of a slap. This photo manipulation stuff is shit-easy even with the intellectual firepower of a Trump Voter. I don’t take or appropriate intellectual property that I don’t own, or imply that I have ownership by putting my name on shots. But there are plenty of strokers out there who slap their names on everything despite having no legal or moral right to do so. Why don’t you pricks fuck off? I’ll tell you, my patient readers, when I’ve had a play with somebody else’s IP and continue to credit the photographer, or source in the absence thereof, and the AI tool involved in the sorcery…
Credits…
Copilot, Penrith Library, Bob King Archive, John Blanden Archive, Murray Family Archive, Byron Gunther, Graham Woods Archive
Tailpieces…

Jack Brabham in the other REDeX Special, his 1955 Australian Grand Prix winning Cooper T40 Bristol in the Ardmore paddock during the 1956 New Zealand Grand Prix weekend. More on this car here:https://primotipo.com/2015/07/16/60th-anniversary-of-jacks-first-f1-gp-today-british-gp-16-july-1955-cooper-t40-bristol-by-stephen-dalton/

The tidy up looks pretty shit-hot for a moment or three! The tool can be quite subtle; it has retained the subtle different hues of green made in various touch-ups, but the signage is problematic! #24 is Peter Whitehead’s Cooper T38 Jaguar, soon to be Stan Jones’, the other sports car is Tony Gaze’s HWM Jaguar VPA9, soon to be Lex Davison’s. Back to the drawing board…
Finito…

















































































